Archive for the ‘Process’ Category

Playtime at the craft zoo

Saturday, March 5th, 2011

Well, not really. But sometimes when I’m experiment mode, I do feel like a little monkey. Just trying things.

I’m working on a new range of pieces, but still need to crack the method of fulfilling my vision. I decided to look at Shrink Plastic, it’s something I’ve had my eye on for a while, because it’s a flexible material that results in a strong acrylic flat piece.

What is it?

Basically it sold in sheets, about the thickness of 300gram paper, and you draw/ stamp onto it. Then you pop it into the oven and it shrinks (between 7 and 9 times) depending on which brand you use.

Attempts

My first attempt was an unmitigated disaster, I did not put it onto a baking tray and it overcooked. My dear husband says it looks like demon spawn and I have to agree. Anyway, this morning I had much better luck with it.

Shrink plastic steps

As you can see, there is still a lot of work. But I had a very enjoyable and productive day. I even got to draw a bit, something I haven’t done in an age.

Playtime: Balancing discipline and fun when running a craft business

Wednesday, February 16th, 2011

My favourite part of the design process is to make prototypes. It suits my personality. I’m a dreamer and I like to figure things out. The problem is that often results in a lot of half-finished projects.

Last year my personal focus was to finish things. But knowing myself I also started building in a bit of playtime into my schedule every day.

The importance of playtime

Creativity

It’s the equivalent of staring at clouds. It may not look like you’re doing work but your brain runs in the background and all of a sudden, bam! New ideas start pouring out.

Improving skills

With this one I draw the analogy to the importance of play in the development of mammals. Similarly to, say, a lion cub, learning to hunt while playing. Playtime is important to me in developing my skills as an artist.

Note: this is quite a big field of study, so I apologise for the passing reference.

Failure

A.K.A Lessen self-imposed pressure. The short of it is, you’re not setting your expectations to finish something that’s polished enough to sell. Because you don’t worry too much about the end product you focus on the process and learn something along the way. (If you’re lucky.) Worst case scenario – you had some fun.

Evolution

It’s important to the evolution of your work. If you always consider yourself to be ‘on the clock’ while creating it stifles the progress of your work.

My playtime

Today I spent my playtime prototyping some bracelet clasps.

  • I’m really happy with how it turned out.
  • My idea’s evolved – I know how to make my rivets invisible now. It’ll look better.
  • The catch is a bit short, so I need to tweak that for comfort
  • I’m testing the piece. I know it’s easy to open and close with one hand.
  • I used to be a rubbish riveter. But I’ve been practising a lot. This was however the first time I riveted metal onto a soft object. So it was good to play around with the rivets to see how much leeway I have with leather.

I’ve been struggling to get some of my other bracelet designs to work. This base piece will solve those problems and hopefully I can turn those ideas into beautiful pieces now that I’ve figured this base design out.

Now, I really hope my new copper solder will arrive tomorrow. Because it will look so much better if the catch is soldered on.

The best thing about it? This one belongs me! Mwaahahahaa.

Notes from the lab

Sunday, July 18th, 2010

I have a tendency to call my work method a craft experiment. I like trying different things to see what works and what does not. A negative result is often  a better tool for learning than following someone else’s instructions. I usually make my own mistakes and then dive into any content I can find about a subject to ensure I understand it properly.

Except for my love for experimentation I seem to pursue colour as a theme in my work. So my latest investigation is quite a logical one. Enamelling.

I used my torch to do these pieces as I do not have a kiln (yet).

With this experiment I wanted to:

  • Get a feel of how the enamel behaves when you melt it. I managed to the so-called orange peel texture as well as the glossy fully fused surface. Now I need to play around with it until I control the firing properly.
  • Wanted to see what oxidation effects I get with having an uneven layer of enamel and the opaque colour. As you can see the one piece has a lot of visual interest because of the colour and texture variations. The brilliant red is oxidation – not enamel. I will probably make that into a pendant for myself.
  • What happens to the texture and enamel if you form the metal after firing. That’s how I got the interesting texture in the top left piece.
  • What affect I get when I draw in the enamel prior to firing (I need to play a lot more with this one).

I can’t wait to experiment with this over the next couple of weeks so that I can add some enamel pieces to my shop and I’ve already purchased some further materials so that I can play with different techniques and fire domed pieces.

Resources

If you’re interested in experimenting with enamel I strongly suggest you have a look at Copperheart blog.  She has a really cool metal blog and I know these tutorials will be a good place to help me focus my experiments in the next couple of weeks.

If you want to play with enamel have a look at this tutorial:

Copperheart: Intro to enamelling

And what’s my favourite aspect of enamelling? I get to melt stuff.

http://copperheartdesigns.blogspot.com/

Perfectly pretty earrings

Wednesday, July 7th, 2010

I’ve been focusing on my sketchbook ideas the past few months, and although I am very pleased with my butterfly and jellyfish ranges, I wanted to make something that was just pretty. These earrings were all about a classic tear-drop shape and technique with a fair bit of colour thrown in.

perfectly-pretty-earrings-11

For the moment I’ve only uploaded earrings to my Etsy shop in this range, but as usual my brain is whirring around coming up with new ideas and I’m still testing the design of the bracelets.

The perfectly pretty range celebrates femininity and are a bit sparkly, something I don’t often do.

perfectly-pretty-earrings-2

So what do you think? Yay or nay for perfectly pretty pieces?

My jellyfish jewellery

Wednesday, June 23rd, 2010

I’ve mentioned my interest in naturalists before but Ernst Haeckl needs a special mention. My jellyfish jewellery is an ode to Ernst Haeckl and all the scientists like him.

I include a photo of me and my hubby where we were going for the same look as Haeckl and his assistant’s photo.

ernstheackl-our-take

He was a biologist, naturalist, philosopher, physician, professor and artist. He was a genius. But the thing that I’ve always really liked about him was his infectuous interest in the natural world. Now that’s something I can relate to.

The happiest day probably in my scientific career, the happiest of my whole life… when I set out early as ever with my fine net to fish, and I caught no less then 12 (twelve!!) new species [radiolarians]; the most charming creatures were among them!

And this in a letter to his fiance. When I first read this comment in Art forms from the Ocean, my view of him changed from an excellent historic figure in science to an real human being.

Jellyfish has this wonderful luminescent quality about them. They are also quite alien. They have evolved in a zero gravity environment. They don’t have a brain or a central nervous system instead they have a nerve net.

My jelly jewellery are image transfers of Ernst Haeckl’s work.

jellyfish-collection1

Now I have to start thinking about how I can show bio-luminescence in my work.

Further reading

I highly recommend Art forms in nature and Art forms from the Ocean. They are both amazing visual references. The Haeckl quote was taken from the Art forms from the Ocean book.

Ernst Haeckl on wikipedia

The photo of Ernst Haeckl and his assistant von Miclucho-Maclay is from the wiki commons library.

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